RFC0279, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0008, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0077, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0088, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0093, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0091, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0094, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0215, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0006, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0278, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0232, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0220, 1973
ILFOFLEX PRINTED IN 1990
7 15/16 x 11 15/16 in.
Ed. Unique
RFC0209, 1973
Ilfoflex Printed in 1990
7.25 x 9 in.
Unique
RFC0112, 1973
Ilfoflex Printed in 1990
7.25 x 9 in.
Unique
RFC0066, 1973
Ilfoflex Printed in 1990
7.25 x 9 in.
Unique
RFV136, 1971
Vintage Gelatin Silver Print
9.5 x 7 in.
Unique
RFV249, 1971
Silver Gelatin Print
9.5 x 7 in.
Unique
RFVO39, 1971
Vintage Gelatin Silver Print
9.5 x 7 in.
Unique
RFV225, 1971
Silver Gelatin Print
9.5 x 7 in.
Unique
RFV284, 1971
Silver Gelatin Print
9.5 x 7 in.
Unique
RFV 285, 1971
Silver Gelatin print
9.5 x 7 in.
Unique
RFV105, 1971
Silver Gelatin Print
9.5 x 7 in.
Unique
RFV 107, 1971
Silver Gelatin Print
9.5 x 7 in.
Unique
GF1997, 1984
Photomontage
Recompositing of silver salts "Parking - sculpture".
16 x 20 in.
Eddition Unique
GF1996, 1984
Photomontage
"Sculpture" cuttings of prints with silver salts.
11 x 14 in.
Edition Unique
GF1994, 1985
Photomontage
Hand colored silver print and wallpaper print.
101/8 x 14 1/8 in.
Edition Unique
GF1993, 1985
Photomontage
Four hand-colored silver salts and tulle prints
16 x 20 in.
Edition Unique
GF1965, 1985
Photomontage
Hand colored silver print and wallpaper print.
14 1/8 I x 101/8 in.
Edition Unique
GF1954, 1985
Photomontage
Hand-colored silver salts and pink wallpaper print.
14 1/8 x 10 1/8 in.
Edition Unique
GF1953, 1985
Photographic print with 16x22 silver salts, colored by hand,
mounted on cardboard and torn yellow tissue paper.
Edition Unique
GF1947, 1986
Photomontage
10 1/8 x 14 1/8 in.
Edition Unique
A self-taught and innovative Tuscan artist, Gianfranco Chiavacci (1936-2011) was born in Pistoia, near Florence, where he lived and worked for all his life. Surrounded by exceptional artistic circles around Milan and Florence such as Fiamma Vigo’s Galleria Numero, notorious for its unmatched flavor for the avant-garde and kinetic, abstract and geometric art, Chiavacci began his career as a painter in the 1950s.
In 1962, after taking a programming course on IBM’s first computers, Chiavacci’s curiosity in this new form of language sparked. With aspects of optical and kinetic art, he made paintings experimenting with different materials creating one-of-a-kind geometric figures and forms, all the while never using the computer, but the binary logic that is inherent to it. In this way, Chiavacci became a part of the unique and pioneering Italian art movement, Arte Programmata. The Arte Programmata movement, known as Italian Kinetic Art, was an important abstract art movement of the 1960s in Italy after the exhibition of May 1962, presented at the Olivetti showroom in Milan, Arte programmata. Arte cinetica. Opere moltiplicate. Opera aperta, curated by Bruno Munari and Giorgio Soavi.
In the 1970s, Chiavacci began to use photography as a tool of investigation. By separating himself from the common use of the camera, he researched, recorded and repeated the movement of objects in space and time. Using compositions, photograms, three-dimensional sculptures, color slides and most importantly, light, he developed his most extensive series Ricerce Fotografice (Photographic Researches), a body of work representing the purest form of abstraction. Through his systematic mannerisms, Chiavacci created a world where the system prepared by him became the abstract of art itself.
Chiavacci created, over the course of his fifty-yearlong career, an innovative aesthetic based on the binary language that deviates from the conventional rules of two-dimensionality. With an incredibly diverse and abundant production, the Tuscan artist mastered the art of experimentation in painting, photography and three-dimensional work.
SELECT EXHIBITIONS
2015 Gianfranco Chiavacci | François Morellet rigorosi, rigolards...
curated by Alessandro Gallicchio, Artforms and Die Mauer, Prato,
Italy
2013 Fotografia Totale, curated by Valerio Dehò, Palazzo Fabroni,
Pistoia, Italy
2012 Gianfranco Chiavacci - Ricerca Fotografica, curated by Angela
Madesani & Aldo Iori, Milan Image Art Fair 2012, Milan, Italy
2007 Gianfranco Chiavvaci, curated by Aldo Iori, Centro di
Documentazione sull’Arte Moderna e Contemporanea Pistoiese,
Pistoia, Italy
2003 Gianfranco Chiavacci, Galleria Vannucci, Pistoia, Italy
1994 Gianfranco Chiavacci. Limiti, curated by Bruno Corà, Opera
Associazione Culturale per le Arti Visive, Perugia, Italy
1996 Fernando Melani (e gli amici di Fernando Melani), Galleria
Vannucci, Pistoia, Italy
1984 Por la Paz, Mostra Internazionale di Mail Art, Santo Domingo
University, Santo Domingo, Dominican Republic
1973 Gianfranco Chiavacci. Binarietà, Ti. Zero Center of Experimental
Aesthetic Research, Turin, Italy
1967 Gianfranco Chiavacci, Galleria Numero, Florence, Italy
1966 Piccolo Formato, Galleria Numero, Florence, Italy