Chesterton, IN (for Konrad), 2018
Archival Pigment Print
40 x 48 in.
Ed.of 5 + 2AP
Linear Construction #6, 2018
50 x 46 in.
Archival Pigment Print
Edition of 5 + 2 AP
Linear Construction #11 (Shaker Heights), 2019
Archival Pigment Print
35.75 x 50 in.
Ed. of 5 + 2 AP
Linear Construction #10, 2018
Archival Pigment Print
50 x 46 in.
Ed.of 5 + 2 AP
Wendover, 2019
Archival Pigment Print
32 x 40 in.
Ed. of 5 + 2AP
Stream (Orange), 2009
Archival Pigment Print
40 x 32 in.
Ed. of 10 + 2AP
Orange, 2007
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Rodeo Beach, 2009
Archival Pigment Print
39.7 x 50 in.
Ed. of 5 + 2AP
Edgewater (Diptych), 2013
Archival Pigment Print
50 x 80 in.
Ed. of 3 + 2AP
Parade Field, 2009
Archival Pigment Print
30 x 40 in.
Ed. of 5 + 2AP
Headlands II, 2009
Archival Pigment Print
40 x 31.25 in.
Ed. fo 10 + 2AP
Norquay (Yellow), 2007
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
Wendover II (for John), 2011
Archival Pigment Print
40 x 50 in.
Ed. of 10 + 2AP
Cornfield, Sirna's Farm (Diptych), 2013
Archival Pigment Print
50 x 80 in.
Ed. of 3 + 2AP
Barnett Newman, 2012
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Horseshoe Lake, 2013
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Drill, 2014
Archival Pigment Print
40 x 40 in.
Ed. of 5 + 2AP
Drawing from his early theatrical training, and influenced by historical methods of staged photography and constructed set design, Barry Underwood seeks to transform ordinary, everyday vistas into unique, and often surreal, experiences. Both Underwood’s installation process, which uses actual structures and may take several days to complete, and his documentation, employing long exposure times to harness the area’s ambient light, rely as much on the artist’s ability to harmoniously collaborate with nature as disrupt it.
His photographs are made in various locations around North America, with many of them shot during artist residencies, such as The Banff Center for the Arts (Canada), I-Park Foundation (CT), Headlands Center for the Arts (CA), The Center for Land Use Interpretation (UT), and The MacDowell Colony (NH), among others.
SELECT COLLECTIONS
Museum of Fine Arts, Houston, TX
Elton John Photography Collection, Atlanta, GA
The Akron Art Museum, OH
The Cleveland Museum of Art, OH
TIAA-CREFF, New York, NY
Rockefeller Family Art Collection, Petaluma, CA
Aurora Green, 2007
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Blue Ice, 2004
C-Print
20 x 20 in.
Ed. of 5 + 1AP
Trace (Pink), 2008
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Tree (MacDowell), 2013
Archival Pigment Print
36 x 26 in.
Ed. of 5 + 2AP
Headlands (Outcrop), 2011
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
Cornfield, Sirna's Farm (Diptych), 2013
Archival Pigment Print
50 x 80 in.
Ed. of 3 + 2AP
Wendover (Ammunition Storage), 2012
Archival Pigment Print
32 x 40 in.
Ed. of 10 + 2AP
Barnett Newman, 2012
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Edgewater (Diptych), 2013
Archival Pigment Print
50 x 80 in.
Ed. of 3 + 2AP
Ferns (for Francesca), 2012
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Norquay (Yellow), 2007
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
Orange, 2007
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Stream (Orange), 2009
Archival Pigment Print
40 x 32 in.
Ed. of 10 + 2AP
Parade Field, 2009
Archival Pigment Print
30 x 40 in.
Ed. of 5 + 2AP
Rodeo Beach, 2009
Archival Pigment Print
39.7 x 50 in.
Ed. of 5 + 2AP
Horseshoe Lake, 2013
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Trace (Blue), 2008
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Wendover I, 2012
Archival Pigment Print
16.5 x 30 in.
Ed. of 10 + 2AP
Miwok Trail, 2010
Archival Pigment Print
31.5 x 40 in.
Ed. of 10 + 2AP
Ferns II (MacDowell), 2012
Archival Pigment Print
30 x 30 in.
Ed. of 10 + 2AP
Trace (Yellow), 2008
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Headlands II, 2009
Archival Pigment Print
40 x 31.25 in.
Ed. fo 10 + 2AP
Fish II, 2003
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Wendover II (for John), 2011
Archival Pigment Print
40 x 50 in.
Ed. of 10 + 2AP
